Literature Foundation 2009

 

Week 5

For week 7:

129   O, that this too too solid flesh would melt,
130   Thaw and resolve itself into a dew!
131   Or that the Everlasting had not fix'd
132   His canon 'gainst self-slaughter! O God! God!
133   How weary, stale, flat and unprofitable,
134   Seem to me all the uses of this world!
135   Fie on't! ah fie! 'tis an unweeded garden,
136   That grows to seed; things rank and gross in nature
137   Possess it merely. That it should come to this!
138   But two months dead: nay, not so much, not two:
139   So excellent a king; that was, to this,
140   Hyperion to a satyr; so loving to my mother
141   That he might not beteem the winds of heaven
142   Visit her face too roughly. Heaven and earth!
143   Must I remember? why, she would hang on him,
144   As if increase of appetite had grown
145   By what it fed on: and yet, within a month—
146   Let me not think on't—Frailty, thy name is woman!—
147   A little month, or ere those shoes were old
148   With which she follow'd my poor father's body,
149   Like Niobe, all tears:—why she, even she—
150   O, God! a beast, that wants discourse of reason,
151   Would have mourn'd longer—married with my uncle,
152   My father's brother, but no more like my father
153   Than I to Hercules: within a month:
154   Ere yet the salt of most unrighteous tears
155   Had left the flushing in her galled eyes,
156   She married. O, most wicked speed, to post
157   With such dexterity to incestuous sheets!
158   It is not nor it cannot come to good:
159   But break, my heart; for I must hold my tongue.

Shakespeare, Hamlet, 1.2. Probably written about 1600.

 

Please could each group read closely the whole speech, with attention to the meaning, to its function in the context of the play, the scansion, and the characterisation. To help with the scansion, here is a recording of me reading it. I apologise for the cough at the beginning.

Please consider too the following: what is the difference between reading a poem and reading an extract from a poetic drama, like this one?

 

 

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